01
Your catalog
Point it at music you already released
Singles, an album, the whole back catalog. It is already on Spotify, Apple Music and Tidal — nothing gets re-released, re-registered, or re-uploaded to the stores.
AI Artist Promotion
Promote your entire music streaming catalog.Daily reels posting your distributed music catalog.
Your distributor already put the record on Spotify, Apple Music and Tidal. We turn that record into reels for TikTok, Instagram, Facebook and YouTube — each one credited to your song and pointed straight back at your streams.
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platforms from one approved reel
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streaming stores linked in every caption
0
ownership taken in your masters
Why this exists
Distribution got easy. Being found never did.
Anybody can be on Spotify by Friday. That stopped being the achievement years ago. A catalog with no promotion behind it sits in a library of a hundred million other records, waiting to be found by accident.
Short-form is where discovery actually happens now, and it burns through content faster than any independent artist can feed it by hand. So we built the thing that feeds it — out of the catalog you already own, with your credit attached and your streaming link riding along.
Four steps. You hold the last one.
02
The engine
It listens to the full record and finds the moment
Real transcription, real timestamps, ranked against the passages that actually carry the song. Not a guess at where the hook lives.
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Your direction
You set the look, it builds the reel
Cinematic or animated, lyrics on or off, and a list of imagery that may never appear. Send one back and the next version comes out different.
04
Your call
Four platforms, your approval on every post
Your real accounts, connected through each platform's own permission screen. The engine does the work. Nothing goes out without you.
Testimonials
Hear it from the artists.
Independent artists who built with WeGotUsTV, talking about it in their own words. Nobody read a script.
11 artists, in their own words
Accreditation
A reel that doesn't name your record pays you nothing.
When your catalog is delivered with Content ID, the platforms can recognise your master inside a video and route the credit — and the revenue — back to the rights holder. That is how a promo becomes a royalty line instead of a view count.
Post that same video as Original Sound and none of it happens. No match, no credit, nothing accrues. So we map your exact official artist and title once, carry it into every post on every platform, and tell you plainly which platforms match it on their own and which one still needs your hand.
YouTube
Content ID · automaticThe reel lands on your channel and Content ID listens. If your distributor delivered the record, the match is made for you and the revenue routes to the rights holder. No button to press.
The reel posts to your account with your exact artist and title in the caption. Meta scans it against delivered reference files and credits the master it hears.
Same file, same credit, straight to your Page. One approval covers both Meta surfaces and you never upload the video twice.
TikTok
Official sound · by handTikTok's API cannot press a catalog sound, and we will not pretend otherwise. The draft lands in your inbox carrying the exact artist and title to search. You add the official record, then mute the video's original audio to zero so the master does not play twice and the catalog sound gets the credit.
Automatic matching depends on your distributor actually delivering the reference file. If your catalog is not enrolled in Content ID, enrol it — that is the switch that lets any of this pay you.
Masters and publishing
We administrate the link. You keep the ownership.
WeGotUsTV is the marketing layer between the catalog you already distributed and the platforms where it needs to be heard. To build that link we hold the master you upload — it is the file the reel is cut from and the file the platforms match against. Your masters, your publishing and your royalties stay exactly where they are: with you.
Your masters and publishing
You confirm you hold the rights before a campaign runs. WeGotUsTV takes no share of your masters, no share of your publishing and no cut of a royalty. We are paid for production, never for ownership.
Your uploads, removable
Remove a master, a reel or the whole account. Deleted files come out of active use and out of every future campaign. We do not keep your catalog to license, resell or promote later.
Nothing posts by itself
Linking an account gives us permission to prepare a post, never to send one. You approve each reel individually before it leaves this platform. Disconnect any account whenever you want and the stored authorisation is destroyed on the spot.
Own what you earn
Your distributor is not collecting all your money.
A distributor collects one thing: your master royalties from the stores. Three other pots exist, they are legally yours, and nobody opens them for you. Three of the four are completely free to register.
WeGotUsTV does not collect a cent of this and takes no cut of it. We are telling you because most artists are registered nowhere except their distributor, and lose years of royalties they never knew existed. Get this right and the reels we build actually pay you.
A PRO — ASCAP or BMI
Free to join as a writerPerformance royalties on the song you wrote
This pays the songwriter when the composition is performed publicly — radio, TV, venues, streaming performance. You need one, not both. ASCAP is free for writers and charges $50 for publisher-only membership, but waives that fee if you join as writer and publisher at the same time. Join as both in one sitting and you pay nothing.
Join ASCAP ↗The MLC
FreeUS mechanical royalties on interactive streams
The same Spotify stream generates two separate payments on the composition side. Your PRO collects the performance half. The MLC collects the mechanical half. Register with only one and you are collecting half of what your songs earn. This is free and most artists have never heard of it.
Register with The MLC ↗SoundExchange
FreeDigital performance on the master — Pandora, SiriusXM, internet radio
This is the recording side, not the song side, and it is the one nobody else collects. It does not cover Spotify or Apple — those pay through your distributor. It covers non-interactive radio, and it pays the recording owner and the featured artist separately. Free to register, and money sits unclaimed here for years.
SoundExchange takes a whole catalog at once through a spreadsheet instead of one recording at a time. This is that template — 29 columns, with the required fields marked (*1) and the ones needed for international collection marked (2). Fill it in, send it with your registration, and the catalog goes in as one submission.
Download the bulk ingest form ↓Songtrust
$100 one-time, then 15–20%Worldwide publishing, collected for you
Optional, and the only paid one here. A publishing administrator registers your songs with collection societies around the world so you are not chasing each territory yourself. Songtrust charges $100 once per songwriter, then keeps 15% of performance and 20% of mechanical royalties it collects. Worth it if your music travels; skip it if you only earn at home.
Look at Songtrust ↗Before you run a campaign
Switch on Content ID
The platforms can recognise your song inside a video and send you the earnings — but only if your distributor turned it on. It is usually an extra you have to pay for, and most artists never do. Without it, your reels still promote the record; the audio just earns nothing.
Go and check yours. On DistroKid it is called Social Media Pack.
Check if yours is on ↗Fees listed were checked against each organisation's own published terms and can change. WeGotUsTV is not affiliated with any of them, earns nothing from these links, and none of this is legal or financial advice.
Promotion-only plans
Just need reels? Pick a campaign cadence.
One promotion balance supports both reel formats. An Album Cover Reel uses 100 points; Photo Performance uses 300 for 15 seconds or 600 for 30 seconds. A new variation is a new generation and uses points; platform failures are refunded. Approval and posting cost no extra points.
One clear comparison
Find the right way to promote.
Compare the monthly promotion plans with All Access and the PPV Pass in one place. An eligible new promotion plan begins with 300 trial points.
Compare plans and pricing →No subscription? Buy production points outright.
They never expire, and the more you take the less each one costs.
200 points
$5
450 points
$10
700 points
$15
950 points
$20
1,200 points
$25
1,500 points
$30
3,000 points
$45
6,000 points
Best value$75
Begin with 300 trial points.
Pick a plan and the first 7 days cost nothing. Run your 300 points against your own catalog, and if it is not for you, cancel before the trial ends and you are never charged.
Questions artists actually ask
It is a production and posting service for music you already own. You choose a record, the engine builds a vertical promo video from it, you approve or reject that video, and approved reels post to your own TikTok, Instagram, Facebook and YouTube accounts. We are not a label, not a playlist pitch, and not a bot network. Your song stays your song — we use it to make the video and nothing else.
Pitching services rent you somebody else's audience — a curator's playlist or a creator's followers — and when the campaign ends you own nothing. Every reel we make posts to your own accounts, so a month of campaigns leaves you with a month of content on your own profiles and an audience that followed you, not a playlist.
That is the whole point of the build. If your music was delivered with Content ID, YouTube recognises your master inside the video automatically and routes the credit to the rights holder. Meta's Rights Manager does the same across Instagram and Facebook. TikTok is the exception — its API cannot select a catalog sound, so we send the draft to your inbox with the exact artist and title to search, and you attach the official record yourself. If your music is not enrolled in Content ID with your distributor, enrol it. That is the switch that makes any of this pay you.
No. You confirm you hold the rights before a campaign runs, and that is the only claim anybody makes here. WeGotUsTV takes no share of your masters, no share of your publishing and no cut of a royalty. We are paid for production, never for ownership.
No. We are not a distributor and we are not a library. To build a reel we need the audio file for that record, so a copy of it sits in private storage while your campaigns run — that is the file the video is cut from and the file the platforms match against. It is not published anywhere, not licensed to anyone, and not offered to another artist. Remove it and it is gone.
Deleting removes it from WeGotUsTV — the audio, the reel, or the whole account. Anything already published to your own TikTok, Instagram, Facebook or YouTube stays exactly where it is, because those posts live on your accounts and belong to you. If you want a published reel taken down, you delete it on that platform.
No. Connecting a social account gives us permission to prepare a post, never to send one. Every reel waits on your individual approval, and disconnecting an account destroys the stored authorisation on the spot.
You can reject a reel without posting it. A fresh variation is a new generation and uses the points shown before you start. If our generation fails, its points are returned. Editing your caption or approving and posting an existing reel uses no additional points.
Yes. An eligible new plan includes 300 promotion points during the first 7 days, with a card on file. Cancel before the trial ends to avoid the first plan charge. Starter is $24 a month for 1,500 points; one-time point packs are also available.
No. Bring a record you already released anywhere — your distributor keeps it on Spotify, Apple Music and Tidal exactly as it is, and nothing here re-releases, re-registers or re-uploads it. You add the audio once so the engine has something to cut from. If you already have music on WeGotUsTV, it is ready to use and there is nothing to add.
Yes, and that is what it is built for. Push a single record hard, or let a campaign rotate across everything you have so different songs surface on different days. You pick the song for any individual reel, or let the engine choose the strongest unused passage.
Your whole catalog.Working while you sleep.
Push one record hard, or put the entire catalog on autopilot and let it rotate — a 15, 30 or 60 reel campaign that posts across all four platforms and points every one of them back at your streams.
Already set up? Open your promotion workspace